Creekbed, Kalaloch, March 2008
I wanted to capture the sounds of pouring rain, the ocean breaking and the alders mingling. I sought out a composition simply to be able to spend some time in this wonderful sound resonating up the creek bed. I respond to sound much as to light, and there are as many perfect sounds here as there are tones of light, and the scale of each describes the infinite.
Sound can be an achingly elusive thing to capture on film. It sounds odd, of course, but some images come so complete within their moment that the natural progression of appreciation gathers sounds, smell and memory in weightless ascension, almost like falling upward through an experience, finally bumping your head on epiphany. The heartbreak is that photography’s a visual medium, and there’s no hitting anyone over the head with it outright, and subtlety is usually an entirely conscripted event. So the sounds of rain look like a pale alder, and the music of the breeze looks like a ghosted branch, and the rest of the forest can be a tuning fork for all resonant concerns of tide and season.